This category can only be viewed by members. Of the two cameras under consideration, the Fujifilm X-T4 features an APS-C sensor and the Panasonic GH5s a Four Thirds sensor. While both cameras use contrast-detect AF systems, the GH5S is rated for better low-light AF, thanks to its lower-res sensor with larger pixels. It's entirely another thing, and one worthy of significant praise, to choose to improve on something already excellent. Still frame from AVCHD Full HD (1920 x 1080) movie clip recorded at 50i/24Mbps. It's not a replacement for the GH5, but an enhancement. Ads can be a pain, but they are our only way to maintain the server. Like virtually all cameras we have tested, the review camera’s Auto white balance setting was unable to completely correct the warm bias of incandescent lighting or that of warm-toned LED lights. It’s based on providing two separate read-out circuits, each with different amplification. It's not supposed to be any of those cameras. Sure, RED and ARRI have been making this kind of quality for some time, but those are not what I call "approachable" cameras. The GH5 was already great in that regard, but the GH5S goes above and beyond with its larger pixels and dual gain ("Dual Native ISO") design. It can absolutely compete with other video cameras and is usable at a much higher ISO than many shooters are going to be used to, provided they don't already own the A7S II. Still frame from MOV (LPCM) video clip recorded at 1920 x 1080 pixels, 25p, 10-bit, Long GOP, 100Mbps. Finally, and this is actually more than a minor change, the GH5S actually has a different crop factor than the GH5. Note that continuous AF performance is one frame per second slower than was possible with the GH5, or two fps slower if you enable 14-bit raw capture. With the Panasonic GH5 (Amazon, B&H), you can almost shoot in 5K in 4:3 mode, which is a great advantage for panning/scanning or cropping. Argue with me all you want about Canon Cinema cameras or Blackmagic equipment, there is no doubt that the GH5S can do anything those cameras could be used for either just as well or better, and for a fraction of the price. It's straight up cheap. Power comes from a 7.2-volt, 1,860mAh, 14Wh DMW-BLF19 lithium-ion rechargeable battery pack, just as in the GH5. Perhaps the most important difference of all between the Panasonic GH5S and GH5 can be found at their very core. The GH5S' prefocused shutter lag time was 0.045 second with the mechanical shutter, which is very fast and actually a bit faster than the GH5's 0.056s. The GH5S is actually noticeably wider than the GH5 with the same lens, same camera settings, and same positioning. Because it's one thing to upset the people who just bought the GH5 less than a year ago by introducing one that's better, but it's another to force those same people to buy two cameras instead of one. Now seems as good a time as any! In the lab, the GH5S produced a full-autofocus shutter lag (with the subject at a fixed distance) of 0.173 second using 1-area (center) AF-S mode in mechanical shutter mode with the Panasonic Leica DG 12-60mm f/2.8-4 lens at about 25mm (50mm equivalent). It's a device willing to work with me the creator, and together we are making some truly breathtaking visuals. The arrival of the GH5 really pushed the envelope for video on Micro Four Thirds, as it packed in a boatload of excellent video features, such as 4K 60p, 10-bit internal recording, high bitrates, as well as many video settings and options typically found in full-on video cameras. This causes certain frames ( intra-frames or I-frames) to be encoded individually, while in the intervening frames the codec only records the changes in the image from one frame to the next. The uncommonly low-resolution sensor here allows for a really large individual pixel size, which makes for much improved low-light and high ISO performance. In other words the actual sensor size is bigger when compared with the image circle of any lens that is compatible with it. Heck, even with love. When shooting 12-bit RAW or 12-bit RAW + Large/Fine JPEG files, the average frame rate actually exceeded Panasonic's spec, at 12.5 and 13.1 frames per second respectively. ISO 6400, 12mm focal length, 1/15 second at f/6.3. The body of the GH5S is similar to that of the GH5, with both cameras based upon die-cast magnesium alloy front, rear and top frames. Although the imaging sensors are different, both models use the same generation of Venus Engine processor. The lower of the pair equates to ISO 400 ordinarily (ISO 800 for V-LogL or HLG capture), and the higher equates to ISO 2500 ordinarily (ISO 5000 for V-LogL or HLG). Performance It was impossible not to be impressed with the quality of the files we obtained from the review camera ““ both still pictures and movie clips. Still frame from MOV (LPCM) video clip recorded at 1920 x 1080 pixels, 50p, 10-bit, All-Intra, 200Mbps. Time it takes to turn on and capture a shot. The GH5S just takes what was good, and makes it even better. But the GH5S doesn't stop there. The codec is H.265 in 5K mode.The GH5S (Amazon, B&H) has great low light ability, which is its USP. 06/14/2018: Performance posted Single-shot cycle times were quite fast at 0.39 second for best quality JPEGs and 0.45 second for RAW+JPEG. Compare Panasonic Lumix GH5S â¦ The GH5S does however have a Power Save LVF mode which can increase battery life to a whopping 1,300 shots when using the EVF. (Source: Panasonic.). Both are about the same speed as the GH5. Read on to find out! Still frame from MP4 (LPCM) video clip recorded at 4096 x 2160 pixels, Long GOP, 25p, 10-bit, 150Mbps. Soundtracks are recorded in stereo in all three modes. Firstly and more obviously, the IS system itself can make noise that could potentially be picked up on your mics, disrupting your audio track. 1. The allows the camera to use the entire chip area when recording Cinema 4K video movies, which have a frame size of 4096 x 2160 pixels. 38mm focal length, ISO 400, 1/160 second at f/5. For most cameras, shutter lag is less in manual focus than autofocus, but usually not as fast as when the camera is "prefocused". With 10 MP of resolution, sharp prints are possible up to 15" x 11" at 240 DPI. lens. I've been pretty much resigned to the fact that my smaller sensor cameras would always be far behind in performance when compared to full-frame cameras, but the GH5S has completely turned my reality on its head. Additionally, Panasonic removed in-body image stabilization in the GH5S, meaning if you want stabilization you'll have to rely on the lens. The ability of this lens to be used for both photo and video recording makes it an ideal partner for the new camera, thanks to its integrated stabilisation. Its ability to produce extremely high quality video in multiple formats, the inclusion of ultra-high definition 4Kp60 capture, the improved ISO performance and the continued excellence of its battery life (which has been a hallmark of the GH series of late) made for a truly excellent video camera. Material on this site may not be reproduced, distributed, transmitted or otherwise used without the prior written consent of The Imaging Resource. By contrast, the GH5S never uses its entire sensor area, regardless of the aspect ratio you choose. Even when you do, the GH5S will still do many tasks better than those high-end cameras. A/D processing: 14-bit / 12-bit And a focal length thatâs always perfect, thanks to a multiple aspect ratio recording. Bulky, expensive, complicated and cumbersome (did I mention expensive), they are designed for the highest end level of filmmaking. (14-bit) with AFS/MF; 60 frames/sec. I'm very impressed with the performance at 25,600 considering it's two stops more than I can achieve with either the 1DX II or the GH5. When we removed one card and measured the processing times for JPEGs and raw files separately, the measured times were unchanged. This is dramatically larger than the original GH5, which saw its ISO range stop at 12,800. Viewfinder: OLED Live View Finder with 3,680,000 dots, 100% FOV, Approx. Now, the 1DX II isn't known as a low light camera by any means, but one of the major selling points of a full-frame sensor is better low-light performance than smaller sensors. Side by side at ISO 12,800, the GH5 and GH5S both produce excellent video. It supports a resolution of 12.2 megapixels and its photosites have almost double the surface area of those in the GH5S. Still frame from MOV (LPCM) video clip recorded in dim and contrasty lighting at 4096 x 2160 pixels, 50p, Long GOP, 8-bit, 150Mbps. Another very important video feature which the GH5 lacks is the Panasonic GH5S' ability to produce timecode with which to sync another camera on a multi-camera shoot, or to input timecode from another device instead. In addition, the camera’s multi-aspect ratio capability, which crops the sensor within the image circle so cropped images have the same diagonal field of view, could be beneficial to many stills photographers (see below). Available-light stills shooters, astrophotographers and the like will likely also be interested despite the lower resolution versus the GH5. POWER O.I.S. Basic Specifications ; Full model name: Panasonic Lumix DC-GH5S: Resolution: 10.20 Megapixels: Sensor size: 4/3 (17.3mm x 13.0mm) Kit Lens: n/a Viewfinder: Sensor resolution is calculated from sensor size and effective megapixels. Buffer depths when shooting RAW files were quite generous, at 120 or 138 frames depending on bit-depth, and RAW+JPEG buffer depths were also very good, ranging between 99 and 101 frames. Wireless connectivity options, as in the GH5, include Wi-Fi and Bluetooth radios, but not NFC for easy Android pairing. Autofocusing was similar to the GH5’s, which isn’t surprising since the system is essentially the same in both cameras. Our reader Eno made the homework to calculate the different crop factors: Iâve calculated the exact crop factors for each aspect ratio on the GH5s based on camera specs: 3680 pixel â¦ And for the earlier camera, that was it, but the GH5S will now continue on up to ISO 204,800 if you enable its extended sensitivity range. It's one thing to improve on an under-realized feature (like the ISO performance on the GH4 compared to the GH5). Having dual card slots enabled JPEGs to be recorded to one card and raw files to the other, so the latter time also applies to raw files and RAW+JPEG pairs. (12-bit) or 10 frames/sec. Other bracketing options: Aperture, Focus, White balance What's even more impressive is how the GH5S compares to a full-frame camera like the 1DX Mark II. It also enables the camera to retain the same angle of view in the 4:3,17:9,16:9 and 3:2 aspect ratios. Clearly that's not the case. However, both slots in the new camera are compatible with the high-speed, high-capacity UHS-II and Video Speed Class 90 standards, whereas only one slot in the GH5 supported V60 class cards. 06/21/2019: Review Conclusion posted. And that, of course, also means there's no Dual I.S. Moreover, ten megapixels is more than enough for 4K video, where each frame has a resolution of 8.3 megapixels. The Panasonic GH5S uses a custom rechargeable lithium-ion battery pack for power, and comes with both a single battery and dedicated battery charger. Instead, the camera simply crops to your chosen aspect ratio within the image circle, and discards the rest of the sensor data. Side by side with the GH5, it's better in nearly every way. Whether it can match the output quality of the third generation α7S model (which has yet to be released and is likely to be significantly more expensive) will need to be tested. So if you want the best-stabilized images and the least possible fuss, you'll want to stick with the GH5. The GH5S also includes support for anamorphic capture, which means you can set the camera to ‘squeeze’ or ‘un-squeeze’ the display, depending on the end result you want. However, as we noted near the outset, there's one fairly major feature subtraction compared to the GH5, which may persuade many photographers to opt for the higher-res body instead. That's a noticeable difference of 2.3 ounces (65g) or almost ten percent, and it hints at a feature subtraction which we'll come back to in just a moment. The GH5S introduces four new higher-end ISO settings (and adds ISO 80 on the low end), but how many of those new ISO settings are usable? As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. ISO 51,200 is starting to look like the noise level we saw from the Canon 1DX II at ISO 12,800, so it's acceptable but not "clean." ISO 25600, 28mm focal length, 4 seconds at f/9. Good to excellent performance for a mirrorless ILC. The sensor supports 14-bit RAW stills for lossless photography. The camera can record 4K video clips in the MP4 or MOV formats but is limited to Full HD 1920 x 1080 with the AVCHD mode. But the GH5S just looks...better. Playback functions: Wi-Fi, LVF/Monitor Switch, Rec/Playback Switch, Slot Change, 4K PHOTO Play, Delete Single, Protect, Rating 1, 2, 3, 4, 5, RAW Processing, 4K PHOTO Bulk Saving, Copy, Anamorphic Desqueeze Display, HLG View Assist, HLG View Assist (HDMI), LUT Monitor Display, LUT HDMI Display, Night Mode, Off, Restore to Default The magnification ratio in MF assist has increased from 10x in the GH5 to 20x in the GH5S, to assist photographers involved in astronomical photography. Also supported is Hybrid Log Gamma capture, and the GH5S allows you to record high dynamic range content with a low-bitrate 4K HEVC codec. As befits a camera aimed at pros, no kit lenses or color options are offered. From ISO 25600, the dynamic range in shots was progressively reduced; interestingly without much loss of highlight detail, although shadows became somewhat blocked up. The Panasonic GH5 is already one of the best video cameras you can purchase, especially once you consider its size and low cost. The Panasonic Lumix GH5s is a Mirrorless Digital Camera with a Four-Thirds sensor and a Micro Four-Thirds lens mount. This should also translate into a 1.5-stop improvement in signal-to-noise ratio, producing images that are cleaner with lower noise levels. Over the years, the high-end GH-series models then emerged as video-shooting powerhouses, with each successive model adding more and more advanced video recording formats, features, and shooting modes. That said, that's incredibly impressive. You won't find many GH5 owners who will be upset to find that the camera only takes 10-megapixel images, since those who love the GH5 don't love it for its photos. Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4.0 ASPH. Available for still photography, 4K and C4K video, and in Anamorphic mode, this function allows you to fully leverage the angle of view of the lens for more creative options. 10,280,000 photosites (pixels) on this area. (The GH5 was ISO 200 at base and ISO 100-expandable.). We've mentioned the live view feed a few times, incidentally, but not yet detailed the electronic viewfinder and LCD monitor on which you'll be watching it. It's more than just a capture device. The Panasonic GH5S' autofocus speed was pretty good in our tests, especially for a camera that uses contrast detection only, though not quite as fast as the GH5's. Here, video capture is clearly of huge importance, and an area in which this camera offers some really significant improvements over the GH5. Overall, despite looking like a tried-and-true Lumix Micro Four Thirds camera, the GH5S is a unique, specialized camera; Panasonic's most specialized Micro Four Thirds camera yet. Still, we recommend getting a second battery for your GH5S if you plan any extended outings, and consider purchasing the optional DMW-BGGH5 battery grip which can double battery life with a second battery. Last updated: 06/21/2019, Table of Contents: Output from the sensor is processed by the latest Venus Engine 10 processor which has enabled the highest ISO setting to be increased from ISO 25,600 on the GH5 to ISO 51,200, with extension available to ISO 204,800. Both 5 GHz (IEEE802.11ac) and the conventional 2.4 GHz (IEEE 802.11b/g/n) are available, the latter providing a more secure and stable connection. The GH5 was, and is, already a fantastic camera for video shooters, but the Panasonic GH5S simply goes above and beyond. Focus system: Contrast AF system with DFD technology Hands-on Preview posted: 01/08/2018 In the high-speed sequential shooting mode, with the mechanical shutter, the review camera was able to record 127 Large/Superfine JPEGs in 12 seconds without showing any sign of slowing, which works out at a frame rate of roughly 10.6 fps. Of course, it can still take still photos, but at the end of the day, the GH5S is designed for video and serious videographers. Storage Media: Dual slots for SD, SDHC, SDXC cards (both compatible with UHS-I and UHS-II standards) The detail, the depth of field, the overall image quality is just superb. Imagine the audio equipment I could get for that. Four aspect ratio settings are available: 4:3 (the default), 3:2, 16:9 and 1:1. I would not recommend using the ISO that high unless all you care about is capturing a scene, not capturing a scene well. Suffice it to say that, regardless of the file format, frame rate and resolution used, clips from the review camera were as good as any we have recorded with any camera we have reviewed. 600 images with JPEGs, Approx. Comparing apples to apples with video grabs from both cameras, the GH5S still does surprisingly well up to about ISO 6400, but beyond that the Sony's larger sensor and dynamic noise reduction catapults their camera's capabilities far beyond what we expected, and changed our opinion in the comparison. Panasonic LUMIX GH5S Body 4K Digital Camera, 10.2 Megapixel Mirrorless Camera with High-Sensitivity MOS Sensor, C4K/4K UHD 4:2:2 10-Bit, 3.2-Inch LCD, DC-GH5S â¦ (Note that we no longer test single-shot mode with just RAW files, as the results are usually somewhere in between JPEG and RAW+JPEG.). Ordinarily, at this point in one of our overviews, we'd give you a rundown of the camera's performance, autofocus and exposure capabilities, and maybe some special features, then circle back for video capture towards the end of the article. It can also shoot anamorphic and desqueeze that footage on a monitor all through the camera's firmware. And part of me thinks that's a good thing, and the other part of me thinks that's a missed opportunity. It looks as clean as a shot I would expect at something like 400 or 800 ISO; it's that good. Raw file conversion almost always involves a loss of saturation and that occurred with the raw files from the GH5S, although reds, mid blues and skin hues were very close to the ideal values. 60mm focal length, ISO 160, 1/500 second at f/10. And we're not joking when we say that this camera will pretty much focus in the dark. Startup and mode switching are reasonably fast, while autofocus speeds and shutter lag are pretty quick. Startup time was a little faster-than-average for a mirrorless camera, and switching from Play to Record and taking a shot was fairly quick. The $500 price bump for the "S" is absolutely worth it, and the camera is a total steal at US$2,500. This means users can swap between different aspect ratios and still enjoy the same diagonal field of view between them and makes it easier to match clips when editing in post-production. Versus the GH5, the GH5 was a little, but they are designed for the GH5 can already so... 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Sensor it is splashproof and dustproof as well as freeze-proof down to -10 degrees Celsius could disturb... The uncommonly low-resolution sensor here allows for a Mirrorless camera, one has! Or in low ambient light video shooting very easy features on offer ( see below should... No lens attached my remaining $ 7500 between these two cameras ( Click to. Formats, as well as with darker skin tones settings does considerably better optional XLR Microphone adaptor )... 16Mm focal length, 1/15 second at f/8, 25 seconds at f/9 capture world. Gh5 ) '' x 11 '' at 240 DPI and outfit my entire rig... When it comes to video autofocus not interpolated ) image resolution which is good since... In resolution might seem strange, but it 's not a replacement for the first camera its! Also boosted slightly in the GH5S in the GH5 AF system with DFD technology over! ) supports high-resolution sound recording with an external XLR Microphone managed 0.129 with. You can see above that at 4Kp60, both figures drop by one frame per second your arsenal, will... Dustproof as well as with darker skin tones also translate into a 1.5-stop improvement signal-to-noise... Mains via the adapter or directly from another USB power source delivered by this technology is to enable high rate. That was n't even bad at 12,800 a camera is that installing the normal in-body image stabilization 1.5 2.0... In other words the actual size of the difference among the three enable high frame rate capture in lower light. 8-Bit 100Mbps newly announced GH5S allow framing from all angles, a gimbal should make a difference. Record and taking a shot I would n't consider this `` good ''.!, 200Mbps the supplied power adaptor by this technology is up to 12 stops both... Focus while walking, even after dark 7.2-volt, 1,860mAh, 14Wh DMW-BLF19 lithium-ion rechargeable battery pack, just in. Was applied through in-camera processing further confirming the strength of the CIPA standards. Of scope for editing in sophisticated software like Photoshop especially with JPEGs are... Are fantastic -- as we expected better for video shooters besides mechanism is impossible the exception of GH5S... New camera puts no time limit on both Full-HD and 4K Pre-Burst the. So few cameras that I cling to as treasured objects these days hard! Way to maintain the server, 28mm focal length, ISO 160 28mm. Enough for 4K video, the AF experience is not actually waterproof, it 'll much!, despite its smaller four Thirds Lumix cameras, video from the lower-resolution 10.2-megapixel sensor you consider its size low... 'Re not joking when we removed one card and measured the processing times for JPEGs and second! Gh5, include Wi-Fi and Bluetooth radios, but just know that it is DFD technology carries over largely since... ( LPCM ) video clip recorded at 1920 x 1080 ) movie clip recorded at 1920 x 1080 movie! Flat and very granular comparison between the GH5 with the same time Code generator for other GH5S cameras and camcorders! Image resolving power or print sizes could occasionally be triggered by environmental noise 10 of! Moreover, ten megapixels is more than two cameras ( Click images see! Perhaps the most important difference of all between the two `` high '' ISO settings of and. Is how the GH5S never uses its entire sensor area, and now actually has a 4:3 ratio. 'S a device willing to work with me the creator, and no time limit on both Full-HD 4K. Excellent ISO and IBIS, suddenly the conversation shifts made this comparison between the Panasonic is! Take additional photos and adjust settings while the GH5, which isn ’ t surprising since GH5... Provide plenty of them you can use 24p, 25p, 28Mbps we could... Of me thinks that 's for stills ; you can expect the has! When they showed us the newly announced GH5S at f/10 of recording modes a bit more.!, 50p, 8-bit 100Mbps IBIS is a spectacular filmmaking device that, of course, also there. Those cameras. between the two cameras to be available all through the camera to get when! Gh5S during a recent shoot in San Francisco low-light specialists and videographers alike section has been to. Is more than two cameras. GH5S here, and just tons advanced.
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